Optionally display cautionary accidentals in parentheses.Support for quarter-tone accidentals in 24-EDO.Support for accidentals from triple flat to triple sharp in 12-EDO ‡.Support for arbitrary numbers of Equal Divisions of the Octave (EDOs) ‡.common practice, Second Viennese School, Modernist etc.) ‡ Comprehensive choice of accidental duration rules (e.g.Automatic cautionary or courtesy accidentals (including between voices, between piano staves etc.).Changes made to the music in one layout are automatically reflected in any others in which that music appears, while allowing complete independence in terms of page and system appearance between every layout. My actual question would simply be: am I alone in this, am I missing something? Am I doing it completely wrong? Input would be welcome because honestly I'd still like to make the switch.Naturally, Dorico allows you to originate both the conductor’s score and parts for individual players from the flows of music in your project as individual layouts. Musescore shows some potential but is simply not mature enough (yet) to be a full-time replacement.
I'm sad about this, because I really want to leave Sibelius behind, and Finale isn't a great contender either. Summarizing I hoped to find a product that suits a modern composer's needs, but I feel very constricted and limited in what I can freely do while notating my ideas without jumping through several (sometimes hacky) hoops, a practice I also hoped to leave buried with Sibelius. And let's be real: we're at version 4 here and this feels like such a basic music notation/technique that it should've been part of the first release. Did Dorico simply forget that unmeasured tremolo is a common technique? I've found feature requests dating back to 2021, so I feel like a fix isn't coming soon. There's no way to individually set them from each other. If I put three slashes on a quarter note which happens to be tied to an 8th, that 8th note gets two slashes. In tied notes Dorico simply decides for you what the number of slashes must be.
DORICO TREMOLO SERIES
I'd have to untie first, or enter the notation mode and use the arrow keys to get to my desired position for the first thing I want to input (which is usually a series of things) Without untying the notes first or hacking around with the note input system there's no simple way to insert dynamics or techniques to say, the second note in a three-tied-note sequence.
DORICO TREMOLO TRIAL
I of course anticipated that things would be difficult and hard to adjust to, but having spent multiple trial periods in Dorico trying to adapt to its ways I simply feel like its so much slower to work with, and for my style of composing I need speed and accuracy. So, yeah, I would absolutely love to leave Sibelius behind.
DORICO TREMOLO SOFTWARE
However, ever since the infamous Avid overtake things got horrible software support got worse and worst of all, they switched to a subscription system without bringing major upgrades to the platform (there isn't even Apple Silicon support yet while people on average pay 20 dollars a month, go figure), basically tossing my by-once own-forever license out the window. I have enjoyed using Sibelius since version 3 until today and I'm basically conjoined with its controls by now which of course make switching a pain. Now, don't get me wrong: I REALLY want to switch.
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